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In 2015, Taylor Swift donated proceeds collected from her ‘Wildest Dreams’ music video to African conservation; years later, the organization manages around 22 protected areas in over 12 countries |


In 2015, Taylor Swift donated proceeds collected from her ‘Wildest Dreams’ music video to African conservation; years later, the organization manages around 22 protected areas in over 12 countries. (YouTube)

Taylor Swift pledged and announced the donation of proceeds that she collected from her ‘Wildest Dreams’ music video on August 30, 2015, when the video premiered during the MTV Video Music Awards. The African Parks Foundation of America also officially acknowledged and confirmed the contribution in September 2015. Today, the beneficiary organization oversees a footprint spanning 12 countries, turning music video views into real-world protection for some of the world’s most vulnerable ecosystems.

In 2015, Taylor Swift donated a massive amount from her music video ‘Wildest Dreams’ earnings

The music video for Swift’s ‘Wildest Dreams’ premiered during the August 2015 MTV Video Music Awards weekend. At the time, the video concluded with an explicit end-title commitment: “All proceeds from the music video would be donated to wild animal conservation via the African Parks Foundation of America.”The star announced that she was donating the proceeds earned from the video, which was also confirmed by the organization in September 2015. The donation applied to proceeds derived from the music video itself, rather than overall streaming/sales royalties for the single or the parent album ‘1989.’

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During the MTV Music Awards, the singer announced that all of the proceeds that she earns from the music video will go to an African Conservation nonprofit. (YouTube)

About the African Parks Foundation of America initiative

The organization was founded in 2000 and operates through direct, long-term public-private partnerships with national governments. Host governments retain sovereignty and land ownership, while African Parks handles day-to-day operations, anti-poaching enforcement, scientific monitoring, and financial administration. According to their website, the non-profit manages 22 protected areas across 12 African countries. Its portfolio also covers over 20 million hectares in nations such as Angola, Benin, Chad, Ethiopia, Malawi, Mozambique, Rwanda, Zambia, and Zimbabwe. They also have a target of managing 30 parks by 2030.The organization focuses on anti-poaching ranger patrols, ecosystem restoration, and local socio-economic development through education, healthcare, and sustainable tourism.

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The music video also created a lot of controversy at the time of its release with many arguing that the video reverted back to colonial-era safari aesthetic. (YouTube)

Public reception of ‘Wildest Dreams’

The music video itself featured the singer as a Hollywood actress who was working on a film in Africa during the 1950s, while actor Scott Eastwood played her romantic co-star. The music video was directed by Joseph Kahn and also featured wide shots of the Savannah landscape, along with giraffes, zebras, and lions. The music video was filmed in South Africa and Botswana.The music video sparked widespread public debate regarding its period styling since the central theme of the video was about two white Hollywood stars having a romantic getaway somewhere in Africa. Many critics argued it relied on a colonial-era safari aesthetic that often used African landscapes as an exotic backdrop while sidelining local populations. However, Kahn, who directed the music video, defended the project, stating the story was intended to depict a fictional 1950s film set rather than romanticize colonialism, highlighting the involvement of Black production crew members, including producer Jil Hardin. The Guardian also shared an official statement from the director which read, “We collectively decided it would have been historically inaccurate to load the crew with more black actors, as the video would have been accused of rewriting history. This video is set in the past by a crew set in the present.”



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